Castings

 

DESCRIPTION
Call Type: EPA 
CONTRACT 
SPT
2 $309 PER WEEK MINIMUM 
PERSONNEL 
Artistic Director, Maxwell Williams 
OTHER DATES 
REHEARSALS: 8/27/19—10/3/19 PERFORMS: 10/4/19—10/20/19 (possible 
extension through 10/27/19 
OTHER 
EPA Procedures are in effect for this audition. 
An Equity Monitor will not be provided. The producer will run all aspects of this audition. 
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. 
Always bring your Equity Membership card to auditions. 
SEEKING 
Le Petit Theatre du Vieux Carré is casting All 
Roles in its upcoming production of Noises Off. 
BREAKDOWN 
Dotty Otley/Mrs. Clackett- (40s-50s+) British. Theater actress. Overwhelmed at times, she struggles to remember blocking, props, and lines. Cares deeply for her castmates, but can be spiteful when spurned. Having in an affair with her significantly younger castmate, Garry. In Nothing On, she plays Mrs. Clackett, the Brent’s Cockney housekeeper. Earnest and hospitable, if a little slow in fulfilling her duties. All Ethnicities. All body types. 
Brooke Ashton/Vicki- (18-30) British. Young, idealistic, inexperienced. Very attractive, but maybe not such a great actress. A bit ditzy. Blind without her contacts. Having an affair with Lloyd Dallas, the director. In Nothing On, Brooke plays Vicki, an Englishwoman who secretly works for the tax authority, and is trying to woo Roger. All Ethnicities. All body types. 
Belinda Blair/Flavia Brent- (30s/40s) British. Talented, veteran actress. Charming, reliable, positive. Knows all the gossip. In Nothing On, Belinda plays Flavia, an Englishwoman, who secretly tries to use the house in the play for a romantic getaway with her husband, Philip. All Ethnicities. All body types. 
Poppy Norton-Taylor- (18-30) British. The assistant stage manager of Nothing On. Hard-working. Invested in the production. Overworked to the point of exhaustion. Secretly having an affair with Lloyd Dallas, the director. Understudying Brooke and filling in wherever she needs to. All Ethnicities. All body types. 
Lloyd Dallas- (40-50s+) British. The director of Nothing On. Passionate, smooth, suave, charming, sarcastic. Perhaps a bit snooty at times. Has a temper that he works to keep in check during rehearsals. Secretly having an affair both Brooke and Poppy. All Ethnicities. All body types. 
Garry Lejeune/Roger Tramplemain- (30s/40s) British. Professional. Easily excited. Tries to keep the show going. Prone to jealousy. Expresses himself vaguely, and rarely finishes his sentences. Having an affair with Dotty. In Nothing On, he plays Roger Tramplemain, an English real estate agent who is attempting to rent the house to a Sheikh as well as use it as a place to secretly cavort with Vicki. All Ethnicities. All body types. 
Frederick Fellowes/Philip Brent/Sheikh- (30s/40s) British. Sweet, neurotic, a little bumbling. Sometimes oblivious. Always has questions about blocking or motivation. Faints at the sight of blood. Often gets nosebleeds. Often doubts himself. His wife left him during the rehearsal process. In Nothing On, he plays both Philip Brent and the Sheikh. Philip Brent is English and owns the house in which the play takes place, but is living in Spain to avoid taxes. The Sheikh is a wealthy man of Middle Eastern descent, who is interested in renting the house. All Ethnicities. All body types. 
Selsdon Mowbray/Burglar- (70s) British. An aging, veteran actor. Forgetful. Often falls asleep. Alcoholic. Has a reputation for drinking on the job. Selectively hard-of-hearing. In Nothing On, he plays the Burglar, who is Cockney, and breaks into the Brent household. All Ethnicities. All body types. 
Tim Allgood- (20-30) British. The production’s stage and company manager. Exhausted. Over-worked. Sleep-deprived. Understudies Selsdon and Frederick in Nothing On. Earnest. Frantic. Nervous. All Ethnicities. All body types. 
APPOINTMENTS 
Please visit www.lepetittheatre.com and the click the link to sign up, or email boxoffice@lepetittheatre.com, or call (504) 522-2081 x1 to book an appointment. 
AEA walk-ins will be guaranteed an audition slot. 
APPOINTMENTS 
Please visit www.lepetittheatre.com and the click the link to sign up, or email boxoffice@lepetittheatre.com, or call (504) 522-2081 x1 to book an appointment. 
AEA walk-ins will be guaranteed an audition slot.
UNION
EPA
AUDITION INFORMATION
WHERE
Le Petit Theatre Du Vieux Carre 
616 Saint Peter St
New Orleans, LA 70116-3214 
Theatre 
WHEN
Sunday, July 14, 2019
10:00 AM - 5:00 PM 
LUNCH FROM 1:30 PM - 2:00PM
WHAT TO PREPARE
Sides will be provided at least two weeks in advance of the scheduled appointment, or at the audition location if walking-in.
MINORS MUST BE ACCOMPANIED BY AN ADULT

DESCRIPTION

Call Type: EPA 


CONTRACT 

SPT

2 $309 PER WEEK MINIMUM 


PERSONNEL 

Artistic Director, Maxwell Williams 


OTHER DATES 

REHEARSALS: 8/27/19—10/3/19 PERFORMS: 10/4/19—10/20/19 (possible 


extension through 10/27/19 


OTHER 

EPA Procedures are in effect for this audition. 


An Equity Monitor will not be provided. The producer will run all aspects of this audition. 


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. 


Always bring your Equity Membership card to auditions. 


SEEKING 

Le Petit Theatre du Vieux Carré is casting All 


Roles in its upcoming production of Noises Off. 


BREAKDOWN 


Dotty Otley/Mrs. Clackett- (40s-50s+) British. Theater actress. Overwhelmed at times, she struggles to remember blocking, props, and lines. Cares deeply for her castmates, but can be spiteful when spurned. Having in an affair with her significantly younger castmate, Garry. In Nothing On, she plays Mrs. Clackett, the Brent’s Cockney housekeeper. Earnest and hospitable, if a little slow in fulfilling her duties. All Ethnicities. All body types. 


Brooke Ashton/Vicki- (18-30) British. Young, idealistic, inexperienced. Very attractive, but maybe not such a great actress. A bit ditzy. Blind without her contacts. Having an affair with Lloyd Dallas, the director. In Nothing On, Brooke plays Vicki, an Englishwoman who secretly works for the tax authority, and is trying to woo Roger. All Ethnicities. All body types. 


Belinda Blair/Flavia Brent- (30s/40s) British. Talented, veteran actress. Charming, reliable, positive. Knows all the gossip. In Nothing On, Belinda plays Flavia, an Englishwoman, who secretly tries to use the house in the play for a romantic getaway with her husband, Philip. All Ethnicities. All body types. 


Poppy Norton-Taylor- (18-30) British. The assistant stage manager of Nothing On. Hard-working. Invested in the production. Overworked to the point of exhaustion. Secretly having an affair with Lloyd Dallas, the director. Understudying Brooke and filling in wherever she needs to. All Ethnicities. All body types. 


Lloyd Dallas- (40-50s+) British. The director of Nothing On. Passionate, smooth, suave, charming, sarcastic. Perhaps a bit snooty at times. Has a temper that he works to keep in check during rehearsals. Secretly having an affair both Brooke and Poppy. All Ethnicities. All body types. 


Garry Lejeune/Roger Tramplemain- (30s/40s) British. Professional. Easily excited. Tries to keep the show going. Prone to jealousy. Expresses himself vaguely, and rarely finishes his sentences. Having an affair with Dotty. In Nothing On, he plays Roger Tramplemain, an English real estate agent who is attempting to rent the house to a Sheikh as well as use it as a place to secretly cavort with Vicki. All Ethnicities. All body types. 


Frederick Fellowes/Philip Brent/Sheikh- (30s/40s) British. Sweet, neurotic, a little bumbling. Sometimes oblivious. Always has questions about blocking or motivation. Faints at the sight of blood. Often gets nosebleeds. Often doubts himself. His wife left him during the rehearsal process. In Nothing On, he plays both Philip Brent and the Sheikh. Philip Brent is English and owns the house in which the play takes place, but is living in Spain to avoid taxes. The Sheikh is a wealthy man of Middle Eastern descent, who is interested in renting the house. All Ethnicities. All body types. 


Selsdon Mowbray/Burglar- (70s) British. An aging, veteran actor. Forgetful. Often falls asleep. Alcoholic. Has a reputation for drinking on the job. Selectively hard-of-hearing. In Nothing On, he plays the Burglar, who is Cockney, and breaks into the Brent household. All Ethnicities. All body types. 


Tim Allgood- (20-30) British. The production’s stage and company manager. Exhausted. Over-worked. Sleep-deprived. Understudies Selsdon and Frederick in Nothing On. Earnest. Frantic. Nervous. All Ethnicities. All body types. 


APPOINTMENTS 

Please visit www.lepetittheatre.com and the click the link to sign up, or email boxoffice@lepetittheatre.com, or call (504) 522-2081 x1 to book an appointment. 


AEA walk-ins will be guaranteed an audition slot. 


APPOINTMENTS 

Please visit www.lepetittheatre.com and the click the link to sign up, or email boxoffice@lepetittheatre.com, or call (504) 522-2081 x1 to book an appointment. 


AEA walk-ins will be guaranteed an audition slot.


UNION

EPA

AUDITION INFORMATION

WHERE

Le Petit Theatre Du Vieux Carre 

616 Saint Peter St

New Orleans, LA 70116-3214 


Theatre 


WHEN

Sunday, July 14, 2019

10:00 AM - 5:00 PM 


LUNCH FROM 1:30 PM - 2:00PM


WHAT TO PREPARE

Sides will be provided at least two weeks in advance of the scheduled appointment, or at the audition location if walking-in.


MINORS MUST BE ACCOMPANIED BY AN ADULT